Henry, Lee, Kip and Ronnie have grown up together
in the tiny rural community of Little Wing, in Wisconsin. Later, their paths
diverged; only Henry has remained true to his roots, farming the land like his
father did and marrying his lifelong friend Beth. Both Kip and Lee remind Henry
of how small and insignificant his life might seem to outsiders; Lee is a
famous musician, and Kip a wealthy businessman who leads the high life, making
martinis in women's high heels and generally misbehaving. Their different
reactions to Ronnie, now a brain-damaged alcoholic, when back in town for a
wedding, show Henry what these men are really worth. But Henry's loyalties are
soon to be shaken in an even more fundamental way...
Shotgun Lovesongs sways between being easy,
pleasant and totally forgettable to saying something much more interesting.
Told in the alternating voices of the four friends and Beth, it was Lee's story
that I found the most gripping. His vivid account of his early days as a
musician, living on a hundred dollars a month and working in a freezing
outhouse warmed only by coffee and an open fire to force himself to finally do
some songwriting rings true. So does what happens during that time to inspire
his first album, Shotgun Lovesongs. Similarly, Beth's narrative is interesting
because it is the flipside of Lee's; as she admits, she is 'untalented', but
her evident kindness, intelligence and empathy makes her stand out as much as
Lee does as she helps a succession of wives and girlfriends negotiate both the
men's tight friendship group and the unfamiliar landscape of Little Wing, whether
that is by sharing lipstick or buying 'buttery nipple' shots and bemusing the
local barmaid.
It is Henry's voice that was the weakest aspect
of this book, for me. Kip and Ronnie's chapters feel like sidelines to the main
narrative, but Henry is clearly meant to be the heart and soul of the story.
However, unlike Beth - a seemingly ordinary woman made less ordinary by her
inter-personal gifts - Henry seems genuinely run-of-the-mill, although Butler
seems to be going for a 'salt of the earth' depiction of the goodness of an
everyday man. Indeed it is Lee who is more distinguished by his generosity,
which is not merely financial. Butler's writing is competent and readable, but
not special enough to elevate Henry in the way I felt he needed to be elevated
if the ending of the novel is to work. The Wisconsin setting, similarly, had
great potential, but is presented through a soft-focus Instagram filter, which
means that it never feels quite real. In general, the novel balances realism
and romanticism fairly well, with a strong depiction of rural poverty, but
loses its grip occasionally - for example, in the sappy depiction of another
wedding celebration near the end of the novel, which relies too much on cliche
in its description of a close-knit community.
This is a heartwarming and feel-good read which I
have no doubt will be genuinely enjoyed by a lot of readers; and as I've
suggested, it also has real strengths. I personally was looking for something
with a bit more bite - more of the 'shotgun', and less of the 'lovesongs'.
No comments:
Post a Comment