tag:blogger.com,1999:blog-1897782183409478733.post6882047043358646291..comments2023-09-27T09:15:12.373+01:00Comments on Laura Reading Books: 'The things that matter to them'Laura Tisdallhttp://www.blogger.com/profile/15428346515788046138noreply@blogger.comBlogger10125tag:blogger.com,1999:blog-1897782183409478733.post-72521639829492926282016-09-03T04:16:28.371+01:002016-09-03T04:16:28.371+01:00Totally pedantic, boring, uninteresting characters...Totally pedantic, boring, uninteresting characters... I could not keep reading after page 80. What a show-off.Arturohttps://www.blogger.com/profile/01526347197732161339noreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-17998538410233769172016-02-28T11:54:12.586+00:002016-02-28T11:54:12.586+00:00I've just finished this novel and found your r...I've just finished this novel and found your review, and all the comments here, really interesting and thought-provoking. They make me feel like a naïve reader. I'm a woman, born in London, of Asian heritage. I found Zafar very interesting and I didn't dislike him, so the rape at the end was very shocking. I didn't like Emily at all, so a flaw in the book for me was how on earth she could be so important in Zafar's life as to more or less cause his psychological and moral disintegration. I did think the narrator was a bit pompous but I don't know if I'd go as far as to say I 'disliked' him, either! I loved the writing, the exploration of race and class, and all the snippets of 'knowledge' - I didn't mind them interrupting the narrative. I agree that the constant switches of narrative viewpoint switching could be a little confusing sometimes, but I found the book a real page turner, not difficult to read at all. I thought the switches were handled well. I also got the impression that the quotations at the start of the penultimate chapter (as well as giving clues about what took place) meant that we were not being invited to condone Zafar's rape of Emily.Anonymoushttps://www.blogger.com/profile/17344077371119844644noreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-19049064401900736192014-09-02T09:01:12.895+01:002014-09-02T09:01:12.895+01:00Thanks for the link to the very interesting interv...Thanks for the link to the very interesting interview. I'm not convinced that this is a book about misogyny, though, regardless of the author's intentions, which are obscure. Yes, Rahman pays clever attention to his pronouns in the interview (female magicians, male parents) but he says nothing about the book itself that implies he's particularly interested in gender - as opposed to his musings on class, for example. Furthermore, as has been discussed above, I'm not sure the novel works unless Zafar is likeable in some degree, and I'm increasingly becoming convinced that Rahman intends him to be a fundamentally good character, with some unpleasant traits. Again, in this interview, he emphasises the shallow, distorted viewpoint of our narrator, but skirts around the issue of Zafar himself. Likeability can seem like an unsophisticated way of assessing a character, but because of the way this novel ends, I think it really matters in this case. For Zafar to have been explicitly written as pretentious and deeply sexist, the novel would have had to be constructed very differently.<br /><br />What I find most concerning, however, is that none of the professional critics I've read have touched upon gender at all. This is a problem for them, because they seem to think it doesn't matter; and a problem for Rahman's hidden gender message, if it exists, because it isn't having an impact, at least in these circles.Laura Tisdallhttps://www.blogger.com/profile/15428346515788046138noreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-60029154114732271692014-08-23T17:22:46.069+01:002014-08-23T17:22:46.069+01:00I totally sympathise with your anger even though I...I totally sympathise with your anger even though I know that my own review is more equivocal. I think I was trying to read the novel charitably, and our narrator as unreliable, but (as I've implied in my comment to the previous Anon) the novel is either extremely badly structured and conceived, or Zafar is meant to be likeable. I do find the latter reading, which seems to be the one preferred by the professional reviewers, infuriating. I also wonder if spoiler policies are partly at fault here. My own review obviously doesn't discuss the rape very much, not because I didn't think it key to understanding Zafar, but because I was trying to avoid spoilers. This is definitely an occasion when I should probably have 'spoiled' the novel (with spoiler warnings) for the sake of having a proper discussion about it. It does annoy me that newspapers don't seem to feel they can do that. Your final sentence, I admit, does reflect my reaction to the Godel/Einstein photograph at the end. Obviously male musings are ultimately more important than anything else...Laura Tisdallhttps://www.blogger.com/profile/15428346515788046138noreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-91189430255894221872014-08-23T17:17:00.698+01:002014-08-23T17:17:00.698+01:00Sorry - I tried to respond to this a while back bu...Sorry - I tried to respond to this a while back but Blogger wouldn't let me comment!<br /><br />I think the question of Zafar's likeability is a very basic structural flaw in the novel. For the ending to make any sense, there needs to be some kind of twist, or dilemma for the reader, in discovering that Zafar is a rapist, but for me it seemed to follow on logically from his general misogyny, and his earlier violent tendencies (for example, his deliberate, premeditated attack on the men who shouted racist things at him and his friend in the street). At the very least, Zafar's friend, as his biographer, needs to be likeable, so we can speculate how these revelations affect his friendship with Zafar, but he is not likeable, and we know from the image of Godel and Einstein at the end that they've had no effect.Laura Tisdallhttps://www.blogger.com/profile/15428346515788046138noreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-48958065673928996032014-08-22T15:33:24.595+01:002014-08-22T15:33:24.595+01:00I have just finished reading this book about 20 mi...I have just finished reading this book about 20 minutes ago and I'm still shaking with anger. The absolutely disturbing mysogyny... I kept reading and reading and reading 5-star reviews in all the usual places and occassionally coming accross a glimpse of "Um. He's a rapist..." but it's a drop in an ocean of fellatio. This book is (probably) going to win awards. It makes me want to whack James Wood over the head with my keyboard just thinking about it. Am I blind to the occassional beauty glimmered through the relentless self-absorption and manangst? No, no, I am not. Even now in my rage I can still appreciate the beauty of the scene where Zafar is touched by the bridge builders who are presumably replacing the rickety iron bridge that almost took his own life as a child. etc. Granted, even without the pathological sexism, such glimmers of genuine great writing are few and far in between, but to my mind everything is reduced to: two mysoginysts dazzle us with their intellect while (barely) discussing their ambitious, vapid, annoying girlfriends/wives who get in the way of What Really Matters, The Great Ideas Upon Which Male Friendship Is Formed. <br />Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-69403356226761381372014-08-17T10:34:45.423+01:002014-08-17T10:34:45.423+01:00A good review. The novel has great writing and int...A good review. The novel has great writing and interesting ideas - but the story is sorely let down by making Zafar unlikable.<br /><br />One can forgive the character (whose biography overlaps with the authors) for not dwelling on the many potentially interesting facets of his story ( eg; the affair with the Jewish New Yorker or why he was solvent but not so rich he couldn't just pay off his parents mortgage ) - but it is clear throughout that something bad happenned in Afghanistan. <br /><br />The looming sense of portent in the narrative had suggested to me that Zafar might have been a spy/terrorist or that Emily had been murdered-- but the chapter heading citing the definition of rape implies that that which the reader is not told but presumably the writer suspected, was that Z raped E - it may have been more hacklike to go down one of those paths (and strayed into Othello/Caliban territory)- but making Zafar more likable would have made some of the many interesting insights discussed in the book (about Class, NGOs/ War on Terror) much more digestable. Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-26701724209287090132014-06-07T14:11:09.354+01:002014-06-07T14:11:09.354+01:00Hey Laura,
Just read your comment about having th...Hey Laura,<br /><br />Just read your comment about having the same trouble as me with readers being able to leave a comment, so I thought I would try and post a comment on your blog. So far, so good! Good luck with your blogAnonymoushttps://www.blogger.com/profile/04887977220397658767noreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-29370654823681835712014-06-04T16:44:21.611+01:002014-06-04T16:44:21.611+01:00Thank you! I didn't dislike this novel by any ...Thank you! I didn't dislike this novel by any means, but the more that I think about it, the more uncomfortable it makes me feel (which is perhaps the intention). I tried to avoid spoilers in this review as it was originally for Amazon Vine, but I'm sure I could write a whole other blog post just about the ending, which I found very problematic for reasons similar to the ones you outline (the symbolism alone is pretty disturbing). In a novel more explicitly aware of gender and the way that gendered narratives link into colonial oppression, it might have worked. In this one? I'm really not convinced.Laura Tisdallhttps://www.blogger.com/profile/15428346515788046138noreply@blogger.comtag:blogger.com,1999:blog-1897782183409478733.post-69489242912074235342014-06-04T13:23:58.527+01:002014-06-04T13:23:58.527+01:00What a fascinating, nuanced review of this novel. ...What a fascinating, nuanced review of this novel. I read it and enjoyed its intellectual project very much. But like you, I found the gender politics to be dodgy at best. The fact the novel ends with the rape of Emily by Zafar seemed a conclusion of such abject ambiguity that I wasn't sure what to make of it. Must men always reassert their sense of control and authority on the bodies of submissive women? How are we to judge the effect of inequality on Zafar's character in the light of what we (almost) know happens? A strange and intriguing novel but one whose flaws do need to be pointed out against the backdrop of applause coming from the likes of James Wood.litlovehttps://www.blogger.com/profile/10952927245186474480noreply@blogger.com